Commissions * and/or Premieres ^

Annick Odom has premiered over fifty-five contemporary works. Her collaborations span composers working in experimental, folk-adjacent, interdisciplinary, electroacoustic, and chamber music traditions. These pieces reflect the range of her practice as a performer: from intimate works for voice and bass to large-ensemble compositions, improvising orchestras, and multimedia projects.

Voice & Bass
Again a Beginning (2020) by Akshaya Avril Tucker for voice and bass * ^
Breath (2018) for voice and bass by Clay Gonzalez * ^
De Prins of het Witte Paard (2019) by Gabo Champagne for voice and bass * ^
Dear Old Sundays (2019) for voice and bass by Ben Morris * ^
The Death of the Lobotomist (2020) for bass and voice by Lucas Ranieri [draft] *
Dust to Dust and Inbetween (2018) for voice and bass by Clay Gonzalez * ^ 
Edge (2018) for voice and bass by Clay Gonzalez * ^
Home Front (2019) for voice and bass by Matthew Browne * ^
Ivory Bones (2018) for voice and bass by Christine Delphine Hedden * ^
The Harvard Sentences (2019) for voice and bass by Nathan Thatcher * ^
This is Home (2018) for voice and bass by Jane Marie Rogers with lyrics by Julianna Warner * ^
October Drought in a Toxic River Valley (2019) by Nadine Dyskant-Miller and Perry Maddox * ^
Omie Wise (2019) traditional, arr. Grey Grant * ^
Sarah (2018) for voice and bass by Annika Socolofsky * ^
Untapped Potential (2019) for voice and bass by Jacob Sandridge * ^​
Vocalise No. 1 (2021) by Annika Socolofsky for solo clarinet * ^

Other Notated Pieces
[ ] _ composition for .meta (2020) by Dré A. Hočevar ^ 
Arpeggios (2018) electric guitar, saxophone, and bass by James Alexandropoulos - McEwan *
bottom of the ocean she dwells (2019) for large chamber ensemble by Hunter Long ^
Breath into the River (2019) for large chamber ensemble by Akshaya Avril Tucker ^
But (2014) for clarinet and viola by Shuying Li ^ 
Convergence (2019) for a large improvising ensemble by Yuma Uesaka ^
Death of Silence (2020) for clarinet quartet by Yuma Uesaka ^
Елизавета игралас огнем (Elizabeth played with fire) (2017) for bass clarinet in B, female voice, classical guitar by Maria Rostovtseva text by D. Kharms ​^
Engenderment (2020) for large chamber ensemble by Elizabeth Bayer ^
Essay for Chamber Orchestra (2012) Nate May
Four Aphorisms from Emil Cioran (2025) for piano, soprano, flute, and clarinet by Jackson Gearing ​^
Fracture & Flow (2019) for bass and electronics by The Honorable Elizabeth A. Baker ^
Gamebook I (2017) for woodwind quintet by Paolo Griffin ^ 
Grain Sprout Brain Spot (2019) for trumpet, saxophone, clarinet, and double bass by Kate von Bernthal
Graph #23 v. 3 (2018) for Free Fall Improvisers Orchestra by Riccardo Marogna ^
Graph #64 (2018) for Oktopus Connection Redutch by Riccardo Marogna ^
Halcyon (2013) for Eb clarinet, two clarinets in Bb, basset horn, and two bass clarinets by Dillon Henry ^
Hoe de dag verblauwt (2017) for two flutes, clarinet, and two bassoons by Amba Klapwijk ^
Inside/around'ish (2017) for three clarinets, playback and electronics by Lauge Dideriksen ^
IV from Book of Prayers (2010) for clarinet by Michael Schachter 
Le temps coule en nous et avec lui [...] (2019) for solo clarinet by Gabo Champagne
Masca (2016) for wind quintet by German Medina Calle ^
Mosaic No.1 (2019) for clarinet and saxophone by Jimena Maldonado * ^
Monday (2018) for alto saxophone, guitar, and double bass by Jimena Maldonado * ^
Pyramids (2018) for piano, electric guitar, and double bass by Rob Jones * ^
Rinse and Repeat (2019) for clarinet, saxophone, and percussion by Stephen Ryan Jackson ^
Roots Foraging (2022) for drumset and improvising instruments by Cameron Wilson ^
Sempre Legato (2017) for string quintet and piano by Emil Tan Erten ^
several for many for a while (2017) for large ensemble by Ivan Babinchak Renqvist ^
Solstice (2025) for folksinger and string quintet by Christine Delphine Hedden ^
Squee (2018) for electric guitar, double bass, and saxophone by Jan Foote * ^
The Anthill (2020) by Frankie Dyson Reilly (Women of Noise's digital orchestra project) ^
Those Shirt Collars (2018) for bass and electronics by Rob Jones * ^ 
Triangles I (2021) by Martin F. Mayo ^
Trinitatem (2023) by Leah Ofman ^
Up and Down and Sideways for large ensemble by Blair Boyd ^
wave/particle (2017) for A clarinet and bass by Kerry Hagan * ^
within stillness (2019) for low-string quartet by Zachery S. Meier ^
Woodwind Quintet (2017) for woodwind quintet by Maria Rostovtseva ^
When voices are separate from each other (2018) for two guitars, two vibraphones, piano, celesta, violin, voice, clarinet by Amba Klapwijk ^